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第一部看的伯格曼作品 震撼到如今~~

2.5。比老版好看一丟丟吧，作為恐怖片九十分鐘內(nèi)造就的佳句太少了。

畫面絕美，有版畫式的力量，尤其喜歡農(nóng)場主芬蘭浴之前搖撼幼小的白樺樹的片段，但是不能解其宗教意味，不能明白為什么復(fù)仇對神的詰問變成了對神的供養(yǎng)。也許無神論者就是不能接受暴力殺死的春天的處女，卻帶來了救贖的甘泉。

Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

逼格曼的電影依附于宗教信仰的同時(shí)也用宗教的無為而吶喊，就像敘多的那句臺(tái)詞“您為何只是默默地看著”。ps：莫裝逼，裝逼遭奸殺。